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“What does it mean to arrive from a country with a fascist regime?” asks Russian dissident artist Victoria Lomasko.
Artists reflect on histories of oppressive power structures in Brazil in this exhibition at the Visual Arts Center at the University of Texas at Austin.
Though roiled by antisemitism allegations, 738,000 people attended, a modest 17{44affb6c5789133b77de981cb308c1480316fee51f5fd5f1575b130f48379a33} decline from the previous, pre-pandemic edition.
From exhibition catalogue pages marketed as original prints to brazenly fake “authorized” copies of Harings and Warhols, we’re living in a golden age of art piracy.
Visible from the sky, a bold new installation signals that art is a part of everyday life in Bentonville, Arkansas.
Ultimately the legacy of the classic modernist novel may reside in how attentively and scrupulously it concentrates on the music of tentative, shambolic, open-ended urban lives.
More than 100 modest and intimately scaled artworks in Still Life and the Poetry of Place provide glimpses into interiors, both humble and opulent.
Funding options at UB include full-tuition scholarships for MFA students, the Arthur A. Schomburg Fellowship Program, and additional opportunities for MA students.
